The Online Home for a Much-Maligned Genre
Sources: Dan Dietz's Complete Book of Broadway Musicals series, Playbill.com, Ovrtur.com, Wikipedia
Please use Contact link above to inform of any errors or omissions (including Off-Broadway and London).
Mokdad, Linda. “At the Intersection of music, sexuality and race: Hairspray’s generic and aesthetic variances.” In Twenty-First Century Musicals, edited by George Rodosthenous. Abingdon, UK: Routledge, 2018.
Osatinski, Amy S. "Ghosts in the Machine: Digital Technology and Screen-to-Stage Musicals." In iBroadway: Musical Theatre in the Digital Age, edited by Jessica Hillman-McCord, 73-91. London: Palgrave Macmillan, 2017.
Rodosthenous, George, ed. The Disney Musical on Stage and Screen: Critical Approaches from ‘Snow White’ to ‘Frozen.’ London: Bloomsbury, 2017.
Russell, Curtis. "Four Hairsprays, One Baltimore: The city in trans-medial adaptation." Studies in Musical Theatre 12.3 (2018): 367-375.
Sebesta, Judith. “From Celluloid to Stage: The ‘Movical,’ The Producers, and the Postmodern.” The Theatre Annual 56 (2003): 97–112.
Tinkcom, Matthew. “’Dozing Off During History’: Hairspray’s Iterations and the Gift of Black Music.” In The Sound of Musicals, edited by Steven Cohan, 200-211. London: Palgrave Macmillan, 2010.